Instant Music, 2014-15





Music for Wind Instruments, 2014
collective performance


..each visitor gets a bottle of beer; the composition ends when every bottle is empty..



14.6.2014, National Gallery, Prague - Veletržní palác




30.5.2014, festival Transient zones, abandoned football field near the street Na Stárce, Praha 5 - Košíře




30.5.2015, festival Transient zones 2, Strahov Stadium, Praha 6 - Břevnov







Whistling, 2014
collective performance


..visitors are asked to whistle..



21.1.2014, Gallery U Dobrého pastýře, Brno
3 tones




21.2.2014, Školská 28 Gallery, Praha
list of basics







Beating, 2014
collective performance / urban sound walk


..participants get drumsticks and instruction to walk continuously and not to stop..







Ciachovňa, 2015
collective performance / sound walk, 18.12.2015, Považská galéria umenia v Žiline - Ciachovňa


A sound walk in a form of communitive improvisation and collective exploration of sonic possibilities of the building of former power station.








Voicing, 2014
collective performance, 4.11.2014, Veletržní palác, Prague


Collective interpretation of 'graphic score' by nonverbal voice means. Participants have an opportunity to participate in a temporary social structure - all read from the same score, but each in his/her own personal way; notation is a basis, a starting point that connects the community that grows over it as a sum of individual interpretations..

..but notation is also kind of control; as a starting score was chosen 'back side' - copied back side of a score that has been used for a long time - its content is not visible, but there are clear traces of its use. The score becomes only an initiation tool, which then gives way to collective improvisation; concurrent reading gives way to potential communication..

The voice is freed from its normal use, the usual language is deconstructed through noise, playfulness, awkwardness.. Instant ways of communication are emerging, momentary and transient. The situation is open to any input; nonverbal voice is in certain way primary in its character, to get involved no special skills are needed, the performance has a nature of a rehearsal, which is not fixed rehearsed performance, but a process that doesn't lead to an attainment of some final form, but instead it is constantly changing stream of instantaneous interactions..




Level 1: interpretation








Level 2: improvisation









Toys, 2015
collective performance


..improvistation is structured by gradual adding of new instruments that the visitors can use as thay like..



23.6.2015, Prague Quadriennale 2015




24.10.2015, Cihelná 4